- The installer for Auto-Tune Access can be downloaded on Antare's website here. To activate your plug-ins you’ll need to first download your plug-in. Once downloaded, use the bundled application Antares Central to activate your license.
- Auto-Tune Pro application is free to download and offers easy-to-install, easy-to-use, secure, and reliable MP3 and Audio applications. This application’s primary functions are comprehensive and go beyond the features offered by others that can be considered as its rivals.
- Auto-Tune Access. Published on Fri, 30 Jul 2021. You flagged this item.
Want to learn how to use Auto-Tune® Access? Producer, engineer, and educator J. Chris Griffin will show you everything you need to know to get started with t. Log in to your Account. Enter your email address and password in the Antares Central app to log in to your Antares account. Activate the license. If you purchased the license directly from Antares, go to “Manage Licenses” to find the available license for activation. Click “Activate”, and wait until the process completes.
Auto-Tune is one of the most widely used plug-ins in music production. This tutorial shows you the power within this amazing audio processor.
In the 22 years since it’s inception (1997), Auto-Tune has been the industry standard for tuning vocals, and for good reason. From my own personal experience, it’s still my go-to tuning software, as it can keep up with my own workflow, and does exactly what I need it to do. There are many other tuning softwares available, but none have the proven to me better. In the past 20 years, I’ve never had a single negative comment, or even anyone notice that I’ve used a tuning software, which is exactly as it should be. There are many people out there wanting to lay blame on the tools for their work sounding robotic, or unnatural. I may take some heat for saying so, but this doesn’t have to be the case if you learn how to use your tools properly; pay attention to what the settings do. If something doesn’t sound right, keep tweaking until it does. It’s as simple as that. Now I must say though, there is a limit to how much tuning or editing you CAN do to a less than perfect performance. A common saying in the industry comes to mind - “You can’t polish a turd”. I could probably write an entire book on tuning vocals, but the intent here is to give you an inside look at the most commonly used parameters and how to use Auto-Tune in a more effective way….
The Correction Modes In Auto-Tune
There are two correction modes and ways to use Auto-Tune. There’s Auto Mode, also know as “lazy mode”, and Graphical Mode, also known as “Auto-Tune”. Auto Mode basically runs in real-time, and analyzes the audio as it passes through. It then determines what to do to the audio, as it passes through. Adjusting your settings can help it to do a better job of tuning, but nothing replaces your own ears on what needs to be tuned, and what does not. The only time I personally use Auto Mode is when I have several songs that need to be mixed in a very short amount of time, and there simply is not enough time, or budget, to properly tune the tracks. Graphic Mode is a bit more involved, but yields MUCH better results! Graphic Mode basically works like this: You capture (track pitch) the performance once into the plug-in, so it can be analyzed, displayed and edited. (Same for most other professional tuning software) Then, you choose which notes are to be tuned, and how, and which are to be left alone. This is far superior to every single bit of audio being automatically adjusted. By the way, if what you are trying to achieve with Auto-Tune is the T-Pain, or CHER effect, use Auto Mode with a very fast Retune Speed, and you can skip the rest of this article.
Auto Mode
Auto Mode is the default mode when opening Auto-Tune. It is designed to automatically analyze audio as it passes through, and tune up or down to the nearest note everything that passes through. With that being said, there are some very important things to pay attention to, as they will help you get much better results. Paying attention to a few of these settings following, you can minimize Auto-Tune attempting to tune things that should not be, such as vibrato and notes that are intentionally slurred from one note to another.
Input Type: This basic setting help Auto-Tune focus on specific frequency ranges and types based upon the type of content you are trying to tune. Always start here!
- Soprano -For high or female voices
- Alto/Tenor -For normal voices
- Low Male -For Barry White
- Instrument -For violins, violas, and other types of monophonic instruments
- Bass Inst -For lower pitched instruments, and yes, it is quite common to tune a bass guitar.
Scale: Setting the scale to the actual key of your song will most certainly help minimize errors in automatically tuning. Chromatic is the default scale, and probably most popular, but setting the proper key of your song will narrow down the choices of tuning from eleven notes down to the seven within a given key. For example, you have a song in the key of “C”, which has no sharps or flats. A singer sings a little bit sharp on a trying to sing a “C”. If the note sang is closer to “C#”, Auto-Tune will try to tune the note up to “C#”, resulting in an improperly tuned note. When setting the scale to C Major in this same scenario, the singer would have to sing past “C#” for it to create and error and try to correct to a “D”. This is another great starting point for Auto Mode usage. As you can see from the picture to the right, there are many other scales to choose from, and yes, Auto-Tune is used world wide, and there are many other scales available to those around the world using alternate tuning and scales.
Retune Speed: This is one of the most important settings to pay attention to, as it sets how fast Auto-Tune will tune a note, similar to a glide or fade time from non-tuned to fully tuned processing. Setting a very fast time will remove any variations in pitch, but can yield some very unnatural results. But then again, this is a big part of creating the T-Pain/Cher effect. If this is what you are looking for, absolutely start here with a very fast time!
Humanize: This allows sustained notes to have a slower Retune speed than the shorter duration notes. Typically you would start a setting of 0 while setting the Retune speed, making sure all notes that need tuning are being tuned, then adjusting the Humanize will help with sustained notes from not sounding overly tuned, while still being fast enough to tune shorter duration notes.
Natural Vibrato: This is independent of your pitch settings and is used solely to tame natural vibrato of a performance. Leaving it at it’s default setting of 0, will not affect the original vibrato, but adjusting will minimize the amount of vibrato allowed. Once again, this is independent of pitch controls.
Targeting Ignores Vibrato: Turning this on can help with what Auto tuning tries to tune and what it ignores. If you have a track with a lot of vibrato, try turning this on and see if it helps. This is something that would typically be used with a lead type of vocal, allowing the natural vibrato to be ignored. Backing vocals typically shouldn’t have as much vibrato, therefore, minimizing vibrato is preferred.
Target Notes Via MIDI: This is quite fun to play with, along with fast Retune speeds. When engaging, Auto-Tune does nothing until a MIDI note is present from a keyboard or MIDI track, then it tunes to the MIDI notes present. You can then play in a melody from a MIDI device, and the track will be tuned to what you play.
Graphic Mode
Graphic Mode is the mode you will use the most often when quality is the primary concern. The advantage: Graphic mode allows you to specify which notes are to be tuned, and which are not, along with independent settings for each note to be tuned, instead of the global settings to be used for every note passing through in Auto Mode. Ready to get started?
Correction Mode to Graph: Pretty self-explanatory, slide or click the correction mode from Auto to Graph.
Options
Click on the options button next to correction mode to get here:
Enter buffer seconds: The default here is 240 seconds, which is 4 minutes at 44.1k or 48k sample rate, based upon your session settings. A minute song would require 300 seconds. There’s no need to set a really high buffer amount, as it uses much more RAM from your system. The max setting of 14400 would yield 4 hours on one track! If any of you actually need that much, I’d like to know what project you are working on.
Default Retune speeds: After learning a bit about retune speed from Auto Mode, you can set the default retune speeds for various tune settings in which I will discuss shortly here, but this is where you set your defaults.
Track Pitch in Autotune
The first thing we need to do is capture, or “Track Pitch”, our audio track into Auto-Tune so that it can analyze it, draw a graphic representation of the audio pitches, and respond appropriately. This allows Auto-Tune the time to not only respond quickly, but also to ramp in tuning before a note needs to be tuned, which is impossible in Auto Mode, as it is only running in real-time. So to get started:
- Click on the “Track Pitch” button: It will turn “Red” when enabled to track pitch.
- Play the track: Play your song from beginning to end, or section by section. As long as all the information that needs to be tuned is tracked in, you can then proceed.
- Turn off the “Track Pitch” button: Self-explanatory, but necessary to start tuning.
Decisions decisions!
You have two options now for tuning. You can draw or auto-create lines/curves or notes. The difference is that notes are typically easier to work with and treat an area of audio as a block, or note, and a line or curve allows you to treat bends in between specific notes with a little more intent.
The Tools
There are a few tools to start with here and I’ll describe them briefly from left to right.
- The Line Tool is used to draw multi-segment lines on the pitch graph. It is typically used when you want to hold a straight pitch, or bend evenly from one pitch to another.
- The Curve Tool is used when you would like to free-hand draw in pitch correction. I personally find this one quite difficult to use.
- The Note Tool is used to draw notes. These are constrained to specific pitches and cannot vary off of them. I tend to use these more often than the line tool.
- The Arrow Tool is the most commonly used tool, as it is how you select and edit existing lines or notes.
- The Scissors Tool is used to cut existing lines or notes into separate pieces for individual editing. I typically use this when notes or lines have been generated automatically, and need to be separated. We’ll take a look at automatically generating lines or notes shortly.
- The Magnifying Glass is used for zooming. Simply click and drag a box around what you would like to zoom into, and release to zoom.
- The I-Beam Tool is used to select an area of time to be used edit with in, or generate data between. This is also a commonly used tool.
- The Hand Tool is used to move the display. Click and hold on an area of the screen, and then drag the screen to an area you would like to see. I find the scrolling functions on apple mice work quite nicely for this same purpose, so this one doesn’t get used much.
Manual Editing/Drawing of Lines and Notes in Auto-Tune
In this example above, after capturing (Track Pitch) a vocal into Auto-Tune, I selected the Line Tool, and then clicked on “Snap to Note” which forces any segments of a line to snap to a specific note. Upon clicking the last segment, it must be double-clicked to end the line. After drawing this line, it is still selected, and retune speed can be set for this line independently of other lines. If it is not selected for some reason, using the Arrow Tool, click on the line to re-select it, and then you can adjust the retuning speed. The advantage of using the Line tool is that, as shown, the bend from one note to another can be drawn in as well.
In this example to the below, I selected the Note Tool, and then drew in some notes. I’ve found that drawing notes from where they are on key, or crossing through the desired key, on the beginning and end of a note give the best results. The advantage of the working with Notes is that Notes can be moved from one pitch to another much easier than trying to move a line.
Automatically creating Lines and Notes in Auto-Tune
Select an area: Using the I-Beam Tool, select an area that you wish to generate notes or Lines/Curves> Personally, I like to select the duration of the entire song, and then fix the points that are not created to my satisfaction, rather than manually create each event, one by one.
Down at the bottom of the plug-in next to “Track Pitch” are the option for “Make Curve” and “Make Notes”, which are how we can auto-create “Notes” or “Line Curves”.
Make Curve: Clicking the Make Curve button will automatically draw a curved line, matching exactly the pitches captured in from the Track Pitch function earlier. As you can see to the right, there are green lines overlapping the detected pitches, and anchor points on either side of each detected event. These anchor points can be moved independently by clicking on, and dragging each anchor point up or down. This is particularly useful is in key, but starts drifting sharp or flat as a note is being held out. You need to use the Arrow Tool to manipulate these points.
In the example below, an area was first selected using the I-Beam Tool, then using the Arrow Tool, the Curves were moved up together to another pitch, keeping all the bending between notes still intact. If only part of a curve or line is to be moved, the line can be separated into two segments by clicking at the desired split point using the Scissors Tool. Now the segments can be individually manipulated.
In the example below, the “Make Notes” button was pressed after selecting the same area as described above. The advantage with working this way is that the only things being tuned, or manipulated are the notes that are being sustained, and the bending in-between notes is left alone. I find it particularly advantageous to modify these notes using the Arrow Tool. What I’ve found to give the best results is to drag the edges of each note to a crossing point, where the original audio is on, or crossing through, the correct pitch. By starting and stopping the tuning process on these points that are already in tune, I’ve found that I have much more transparent tuning, and less “T-Pain” sounding tuning.
Hopefully this is enough to get you started in Auto-Tuning, and has shed some light onto the mysterious world of tuning. Honestly, Auto-Tune has saved so many projects from bankrupting, and allowed thousands of productions to keep amazing performances, that in the past would have been performed over, and over, and over, and over again, until finally in key. Did anyone happen to think about the feeling, or emotion, left in a recording that an artist just finished singing for the 150th time? Yes, it may finally be perfectly in tune, but is the emotion of the singer still representing the initial idea of the song, and convincing all the listeners that this is a happy song. I think Elvis left the building about 145 takes back…. My point is, if a take sounds and feels great, but has a little pitch problems here and there, it’s worth tuning vs. beating the life out of a part until it is performed technically correct.
Until next time, happy tuning!
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Last Updated on June 25, 2021.
From slight pitch correction to some cool robotic sounds, pitchcorrection software can be extremely useful.
T-Pain made this effect very popular, but it’s also beenused by a lot of other artists such as Daft Punk, the Black Eyed Peas, andmore.
Auto-Tune can be used to achieve a lot of different effectsand you don’t need to spend hundreds of dollars on the Pro version of theSoftware since there are a lot of free ones available.
In this post I’ll go over the best free pitch correction plugins available for Windows, Mac and even Linux.
Now, out of all the plugins on this list, I think that the best ones are these five;
Here’s a table with the best free auto-tune plugins (I only included 5 in the table, but there’s more on the list).
Let’s get started!
Related: I also wrote an Article about the best Pitch-correction/auto-tune plugins in general, not just free ones.
1. GSnap – (Windows)
GSnap gives you the ability to control the notes that it snaps to through MIDI.
This means that if you need to correct a singer’s performance through pitch correction you can play the notes on a MIDI keyboard and feed these notes into the plugin, and GSnap will now use those notes as a guide and will correct the pitch to whatever notes are in the MIDI file.
This will also prevent unwanted snapping to other notes.
If you don’t want to control the plugin through MIDI, then you can set any scale you’d like or control it by turning certain notes on or off.
The interfaceis fairly easy to use and understand:
On the left you can see the original notes and the ones it’s snapping to, which will not only give you a visual representation of what’s going on, but also allow you to fine tune everything more easily.
Auto Tune Access Cracked
It has a 12-knob control system which is divided in thefollowing way;
- Detection: Min Freq, Max Freq, Gate, and Speed knobs.
- Correction: Threshold, Amount, Attack, and Release knobs.
- MIDI: Pitch bend, Vibrato, Vib Speed, and Calibrate knobs.
All of these knobs let you edit everything with precision and accuracy.
It also features a gate that gives you the ability to select on what parts the plugin actually affects the sound, like for example; If you only want to affect the louder parts, or more importantly, if you don’t want the plugin to trigger on any unwanted noises that might be part of the track and just the vocals.
You can download it here.
Are you looking for a new DAW? Here’s a list of the best DAWs currently available!
2. Graillon2 – (Win/Mac)
The first thing you will notice when looking at Graillon2 is the way its interface is designed;
It has this vintage vibe to it which is just fantastic to look at, plus it is designed in such a way that makes it easy for you to navigate through the settings.
It is a very visual plugin since it has a display where youcan see the notes that are being played as well as where Grallion2 issnapping/correcting them to.
This plugin is specifically designed for vocals and thepitch shifting can be smoothly adjusted from minus 12 to plus 12 semitones.
One cool feature is the “preserve formants” knob which, intheory, helps you preserve the tone and characteristics of the vocal trackwhile shifting the pitch.
In some cases, this ends up creating some issues, so makesure to play around with these settings to see what happens.
The speed knob is also pretty useful since it helps the notes “stick” a little longer, reducing the pitch correction jumps.
Grallion2 also allows you to choose how fast or slow the snapping occurs, which is done by adjusting the “smooth” knob.
By adjusting the controls on the “bitcrusher” section, you should be able to achieve some interesting growl sounds.
The typical controls such as dry/wet, low-cut and outputlevel adjustment are also included.
Lastly, the Pitch Correction module can be drivenby MIDI, just like with GSnap.
If you like the vintage look on this plugin and you need agood all-rounder, then Graillon2 may be the one for you.
There is one important note though: It’s notcompletely free but rather “freemium”.
Basically, you won’t get its full functionality unless youbuy it.
With the free edition you only get the “pitch shifting” and“pitch correction” features.
If you want the full version then it will set you back about$25.
You can download it here.
If you’re looking for the best free VST plugins in the world, I have a list of 225 of them here.
3. MAutoPitch – (Win/Mac)
Melda Productions is a renowned audio plugin company that created other free plugins such as the MRing Modulator, the MFlanger, MTremolo, and more.
You can find all these plugins in another post I wrote about the best Free Modulation Plugins, should you be interested.
Even Deadmau5, who is a very famous electronic musician, uses these plugins, which is a clear testament to their quality.
MAutoPitch comes with the typical pitch correction features such as depth, detune and speed.
However, it also includes some additional controls such as a dry/wet knob, a width knob which will allow you to control the stereo spread, and the keep- and shift-formants knobs.
How does Formant Shifting affect the sound?
Formant Shifting allows you to make the sound deeper or higher, or in other words, “more masculine or feminine”.
However, keep in mind that this can alter the pitch if yougo too far.
Additionally, MAutoPitch allows you to choose between different scales such as; Chromatic, major, minor, and pentatonic, and this lets you setup the pitch-correction in no time, or at least use it as a jumping-off point.
It also provides you with a visual display of what notes arebeing detected by the plugin.
Even though it does have some amazing features and isdefinitely worth using, there are some cons to it:
First of all, the free version comes with a banner on the bottom that is a bit annoying to look at.
Also, the pitch correction isn’t the best overall since there’s some unintentional snapping to unwanted notes occurring at times, even after you set the notes and the scales perfectly and all the settings are in place.
Lastly, MAutoPitch also includes a limiter, which should help you keep your sound from clipping.
All in all, it’s a great free plugin that could make a great addition to your arsenal!
You can download it here.
Looking for Vocoder VSTs? Here’s a post I wrote about the best ones.
4. KeroVee – (Windows)
KeroVee was created back in 2010 by the Japanese company“g200kg”.
The whole point behind this software was to create a precise vocal pitch adjustment plugin without focusing too much on the other effects that can be achieved; like a robotic sound.
How To Use Auto-tune Access In Fl Studio 20
This is why KeroVee is an excellent alternative for anyonewho just wants to apply some subtle and precise adjustments to their vocaltracks.
Similar to Gsnap and Graillon2, you have the option to routethe MIDI notes to KeroVee.
This will allow the plugin to use these notes as a guide to properly snap the notes from the singer’s performance to where they should be.
Using MIDI to guide the plugin is great, however this might take some time to set up, and this is why KeroVee also allows you to select the notes you want it to correct to-, or not, through a simple clickable interface;
Enable the ones you want it to snap to or disable the ones you don’t want it to snap to, and that’s it!
KeroVee shares a lot of parameters with most other autotune plugins, however there is one that’s unique to it which is the “nuance” control;
The “nuance” knob lets you select whether ornot to keep the vibrato of the original sound, making the vocals sound morenatural while still being autotuned.
Note: If set to max, even the smallest vibrato willtrigger the correction, resulting in a mechanical sound.
There are loads of other typical controls and features available with this plugin like Tunespeed, formant shifting, panning, volume, etc.
Like I mentioned earlier, KeroVee is excellent for fine tuning the vocal track and doesn’t really emphasize too much on achieving robotic sounds.
You can download it here.
Looking for free guitar VST plugins? Here are the 15 best ones.
5. X42 Auto-Tune – (Win/Mac/Linux)
X42 Auto-Tune is intended to correct the pitch of a voice singing slightly out of tune.
It works by resampling and looping the signal and does not include formant correction, which means that it should be used to correct small errors only and not really to transpose a song or to correct big mistakes.
Even though it is a very simple pitch-correction plugin, itactually does a decent job at what it’s supposed to do.
The interface is very easy to navigate, it can be controlled via MIDI, or you can input a fixed number of notes in any key and the plugin will correct to the notes on that key.
It comes with a “Bias” knob that controls how long the original note lasts before it corrects it to either the ones you selected from the scale or the ones input through MIDI.
This allows it to go off-tune a little making the performance feel more realistic and natural.
Similar to the “Bias” control you also have the option to use the “Offset” feature that gives you the option to adjust how far from the note the singer is allowed to go before it gets corrected.
Both of these parameters are designed to keep the vocalrecording sounding more human and natural.
If you’re looking for a very simple and easy to usepitch-correction tool that focuses mainly on subtle changes, then X42 Auto-Tunemight be a great alternative for you.
You can download it here.
Looking for free Piano VSTs? Here’s a post I wrote about the best ones.
6. Auto-Tune Evo – (Windows)
Auto-Tune Evo by Antares Audio Technology has been released in February of 2018 and has been rising in popularity ever since then.
It’s got a great set of features such as pitch correction inreal time, for live performances, vibrato controls and Humanize.
Auto-Tune Evo was created, like most auto tune plugins, with vocals in mind; However, it can also be used with most monophonic instruments as well; e.g. bass.
It has two basic modes; Automatic and Graphical.
With the Automatic Mode you give Auto-Tune some basic information about the track and that’s it, it will do the rest or its own.
With the Graphical Mode you can go through the entiretrack manually and tell Auto-Tune exactly where it needs to apply somecorrection and how much.
While using the Graphical Mode might be a lot more work and definitely not for everyone, in my experience I’ve found that you get a much more transparent and realistic sound, and the common artifacts associated with tuning tend to be less noticeable.
Automatic Mode is excellent if you’re going for that T-Painstyle of sound, or if you just want to quickly adjust a track.
It really comes down to what sound you’re going for and how much time and energy you’re willing to invest into it.
Regardless of what mode you’re going to be using, the first thing you’ll need to do is set up the “Input Type”, like Soprano, Alto/Tenor, Low Male, Instrument and Bass Instrument.
Another feature is the Key and scaleselection where you can tell Auto-Tune the precise key of the song.
Lastly, the Formants control will keep as much of the original characteristics of the vocals if switched on.
If you want a versatile and good-sounding plugin that is good for both beginners and advanced producers, then definitely give it a try.
You can download it here.
Looking for free Drum VST plugins? Here are the best ones.
7. AutoTalent – (Linux)
If you’re a Linux user, then this one’s definitely for you!
Autotalent is an open-source and real-time pitch correction plugin that allows users to specify the notes that the singer should be hitting, and then AutoTalent will do the rest.
Not only can it correct the pitch but it can also be used to create effects those T-Pain effects.
Now, don’t be fooled by the simple- and stripped-down look of the interface, since it’s actually a very capable plugin, and you can use it for some light pitch correction or to achieve a full robotic auto-tune.
It includes all of the typical parameters that other auto-tune plugins have, such as; Formant shifting, selecting a scale or notes for the plugin to use or to exclude, and more.
However, it provides one feature that most auto-tune plugins don’t; The Vibrato section.
This section can help you add some vibrato to the vocals to give it a more natural sound, and of course you can go overboard and use it as an effect.
All in all, Autotalent is an extremely useful and fully-featured auto-tune plugin, plus it’s for Linux users who don’t have that many alternatives when it comes to plugins and music production software.
You can download it here.
8. Voloco – (Windows, Mac)
If you’re looking for an Auto-Tuner that is capable of slight- and in-depth correction, then Voloco might not be the right one for you.
It’s designed to be used as a creative tool, which is why you only get access to 6 presets that you can’t even edit, and that’s it.
Each of these presets affects the audio in a slightly different way. However, they are all optimized to achieve the “T-Pain” auto-tuned vocal effect.
Naturally, since it doesn’t feature any more controls than changing the presets, setting the Key and adjusting how much correction you want, Voloco is extremely easy to use.
The interface is extremely clean and easy to understand which, if you’re new to auto-tuners, is great news.
Voloco is a fun plugin to have, especially for coming up with new ideas, but it’s not the most in-depth auto-tuner.
Still, I find it easy to recommend to beginners!
Lastly, you can also download a mobile version for your phone that you can use to sing over other songs you have on your device and Voloco will adjust your performance to the song’s key.
You can download it here.
9. BeatLab Autotuna (Ableton Only)
BeatLab Autotuna is only compatible with Ableton, which is a shame since it’s a great vocal processing tool, and it’s also the reason why I put it last on this list.
The original Autotuna was a lot harder to use since it made you select the notes that you wanted it to snap to as well as de-select the ones that you didn’t want it to snap to, or you were able to import a scale.
With the BeatLab version of Autotuna you can select different already built-in scales and patterns, how much or how hard it should be correcting the sound, and more.
Other features include: a dry/wet control, amount control & correction settings.
The only drawback to Autotuna, aside from only working on Ableton, is that it’s a fairly basic pitch correction tool that won’t let you do too much in-depth tweaking. If you require something more powerful, then Graillon2 would be a much better alternative.
BeatLab’s autotune comes as part of a free Max4Live pack, which features pitch & time machines that comes with a range of other plugins that you can use creatively for sound design.
You can download Autotuna here.
10. Soundtrap (Online DAW; Browser only)
Sountrap is a free to use platform that works just like any regular DAW with a couple minor limitations, but this is to be expected since it’s browser based.
Soundtrap offers plenty recording and mixing features and of course, Auto-Tune is one of them (a very limited version).
You can choose how Heavy or Light the effect should be (Heavy sounds more robotic), and then you can select the notes Auto-Tune should snap to by clicking on them. Otherwise, all the major and minor scales can also be selected.
I have to say that the lighter settings do work quite well, but when I tried the “Heavy” one on my vocals, even though it sounded robotic and pretty usable, there were some annoying artifacts present.
How to use Sountrap’s Auto-Tune:
- Hover your mouse over the track you want to tune.
- Click on Edit and select Auto-Tune.
- Choose all the parameters and click on save.
After this it will process the track which will take a couple seconds and you will be able to hear how the effect sounds. If you don’t like it then click on cancel to further adjust it, and if you like it simply click on “Use it”.
Top 3 Free Autotune Plugins
Out of all the Auto-Tune plugins on this list I’d have tosay that Graillon2, GSnap and Auto-Tune Evo are my toprecommendations.
They offer a lot of features, they sound great, and they give you more control over the track itself than most other plugins.
Budget yet premium Alternatives
While the plugins I will list now aren’t free, they also won’t cost you an arm and a leg.
If you have some money to spend and want a higher quality pitch-correction tool, then these are my recommendations:
- Auto-Tune Access: The more affordable and stripped-down version of the famous Antares Auto-Tune.
- Melodyne 5 Essential: This is the most basic version of Melodyne, but it should be enough for most people.
- iZotope Nectar 3: While more advanced, it’s definitely one of the ebst alternatives.
Learn how to use AutoTune properly
Even though there’s nothing wrong with learning how to use this kind of software all on your own, learning from someone can be quite useful as well.
Here’s a course about vocal music production where they also teach you how to use Autotune, Vocoders, etc.
Conclusion
Quality software doesn’t necessarily need to come at apremium price…
All of the plugins on this list are more than capable of delivering excellent pitch-correction while still offering other features, and all of this completely for free…
Since they are free, I’d recommend you try them all out andchoose the one that suits your needs the most.
I hope this information was useful!
Have a great day!
Frequently Asked Questions
Is autotune Evo free?
The Auto-Tune Evo VST demo is available to all software users as a free download with potential restrictions compared with the full version.
Can autotune be used live?
Yes, with the progression of vocal technology, companies like TC Helicon, ART and Boss have developed several Live Autotune & Pitch Correction Vocal Processors that work essentially like foot-pedals used on stage to turn on/off autotune.
Does Auto Tune change your voice?
Autotune corrects the pitch of your voice, essentially making you sound better and on key.